![]() I was part of the problem.”Į thinks his internal debate about violence versus earnest introspection, expressed in “Fresh Blood,” was like Robert Durst’s muttered quasi-confession in the restroom, which chillingly concludes The Jinx and may have sealed Durst’s fate. … It was not me reacting against someone else as much as someone else in me. It was a definite response to shoegaze music.”īut, E continues: “I’m completely guilty of that attitude too. ![]() I took on this werewolf persona to represent desire - balls - where life comes from. So ‘Fresh Blood’ was an attempt to bring some balls back to indie rock. “In 2009, I was fed up with indie rock and how it was getting over-earnest. Top beard then - pursuing a very attractive Latino woman through the dark streets of downtown L.A.,” says E. “It’s a very spooky tale of a werewolf-like man like me - I wore a Z.Z. 14 called Eels Royal Albert Hall.īefore it became The Jinx theme, “Fresh Blood” originated as a video directed by Bob Dylan‘s son Jesse Dylan. But an Eels tune has never blown up this big - a timely break, since they release a triple live album and DVD on Apr. E’s music has been featured onscreen before, in Scream 2, three Shrek films and American Beauty, and “Fresh Blood” provided the title and the apt lyrics for a 2010 episode of HBO’s True Blood (“Sweet baby, I need fresh blood/Whoo, howl!”).
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